Corpus: Her embodied Archive
Artist & Works
Artist & Works
Geraldine Hudson
My main concerns as an artist are intrinsically bound to questions around accepted consensus reality, constructed hierachies in relation to the other than human and emancipatory concerns through an othered female phenomenology.
I enact embodied rites, actions and pilgrimages which then feed back into an exhibited practice, choosing to engage in an art making which is often cyclical, mystical or site specific, hoping to manifest a conduit for social ecological reconciliation. By engaging in magick alongside rejected and analogue crafts as technologies of selfhood, I view these as stages upon which to deconstruct and rebuild overlooked histories, especially those of the outcast and othered due to harmful systemic frameworks of capitalism and neofeudalism.
Often working with multiple layered durational projects, I use materials which are consciously both permanent and transient, as well as site/time dependent, such as earth/clay, ash, human hair and plant matter.
email:enidlaregishere@gmail.com
website: Www.geraldinehudson.org
ins:@geraldinehudson.org
I enact embodied rites, actions and pilgrimages which then feed back into an exhibited practice, choosing to engage in an art making which is often cyclical, mystical or site specific, hoping to manifest a conduit for social ecological reconciliation. By engaging in magick alongside rejected and analogue crafts as technologies of selfhood, I view these as stages upon which to deconstruct and rebuild overlooked histories, especially those of the outcast and othered due to harmful systemic frameworks of capitalism and neofeudalism.
Often working with multiple layered durational projects, I use materials which are consciously both permanent and transient, as well as site/time dependent, such as earth/clay, ash, human hair and plant matter.
email:enidlaregishere@gmail.com
website: Www.geraldinehudson.org
ins:@geraldinehudson.org
A Tool for weaving - take 2 (2025)
| Fired porcelain, mugwort, sheep’s wool, cable ties, hagstone |
25cm X 7cm X 5cm, 2025
Please approach artist regarding price
Artifact from a short piece of auto fiction - to weave my body to your body.
Earth Bound - take 1 (2025)
| Fired porcelain, sheep’s wool, salvaged thread, cable ties, found stones (pumice) 1m (including hanging wool) X 30cm X 5cm, 2025 My Axel attuned to your Axis – didn't we always long for this – longing, belonging - to be bound, unbound, but not enclosed |
Cailleachs Broinn (2025)
Blended Cob, wax, sheep’s wool,cable ties, flax, fired clay, human hair, stone
15cm X 25cm X 30cm, plus string connecting to wall 50cm, 2025
Raw clay dug from the course of an ancient river and ancient grazing land blended with earth dug from the small woodland path in Essex joining the villages of Mistley where the infamous Witchfinder General Matthew Hopkins lived, with Manningtree. Mixed with human hair, ash, roots, herbs and seeds to form the cob.